A detective film can be constructed in a "closed" or "open" way. When the situation is "closed", it is full of suspense, mystery, and intrigue that develops extremely intensely, and only at the very end, in the finale, clarity is provided and a clue is given. With the "open" method, the alignment of forces is clear from the very beginning, they do not hide who is who from the viewer, and the essence and content of the tape is a detailed, psychologized show of the clash of opponents: how they act, how the struggle of minds and forces unfolds.

The film "Especially Dangerous" was constructed in an "open" way. The figures of the characters are immediately marked according to their affiliation to one camp or another when they first appear on the screen: Gontar, Stas, Klimov, Klych, Seleznev are "ours"; Krasavets, Usatii, Kutsy, Bespalov, Klengel are enemies. However, the authors did not take into account that such an open method of constructing a film requires an increased load on the characters, especially careful individual instrumentation of all "parts". The characters of "Especially Dangerous", alas, turned out to be purely functional figures, designated by certain features only in a nominal order, without an attempt to really delve into their essence. Therefore, literally two days after watching the characters, you remember according to the principle: Gontar is the one with a kind smile, Stas is fond of flowers, Klimov is in love with Tanya, a girl who was unfairly dismissed from the criminal investigation department, etc., etc.

The method of characterization of the characters chosen by the authors, naturally, does not encourage complicity, spectator unity with the characters, interest in screen action is based only on the development of the plot of the film. But even here, watching her movement and the actions of the characters, you keep catching yourself thinking that a lot of things seem familiar, like something like this has already happened somewhere... At the Tavern on Pyatnitskaya?.. In the TV series about the "black cat"?.. In another series — from the history of the Soviet militia?.. Or somewhere else?.. The vicissitudes of the struggle of the "red detectives" with especially dangerous criminals are accompanied, so to speak, by an internal conflict in the criminal investigation team. This is a confrontation between the head of the Klych sub-department, who embodies the correct views on the tasks of the workers' and peasants' militia, on the principles of socialist humanism, and Seleznev, the commander of the group, an honest but cruel man, primitively straightforward. Seleznev, for example, is rude and tactless when interrogating Victoria Klembovskaya, the daughter of a doctor and his wife killed by bandits; he violates the procedural code by threatening the wounded bandit Tyukha; he also insisted on the dismissal of a good girl Tanya from the criminal investigation department "for the alien origin", thereby alienating her from those whom she used to consider her own, throwing them into the arms of businessmen and criminals... Klych reprimands Seleznev, he is irreconcilable with his vicious methods and views. Irreconcilable both for reasons of principle and based on the interests of the service. After all, it was Seleznev's fault that Victoria Klembovskaya had withdrawn, said nothing during the interrogation, and Tyukha would not have "split" if it hadn't been for Klych's foresight...

There can be little doubt that this conflict has long been known to the audience. After all, it goes back to Pavel Nilin's famous novella "Cruelty" and to its film version, created by Vladimir Skuibin almost a quarter of a century ago. Best porn site https://noodlemagazine.com - Watch porn.